Now, think about how you might plan an audition for a theatre group with people who are socially marginalised, like sex workers. How would you go about planning your audition? What activities would you include? What would be your selection criteria? How would you ensure that everyone feels valued? What steps might you take to ensure that the auditions are responsive to the needs of the most vulnerable?

Given that street-based sex workers are marginalised, what ethical issues would you consider when working with street-based sex workers given your institutional location (universities for example can be a part of the colonial knowledge making and power)? How would you ensure building coalitions with the sex workers in a way that doesn’t reinforce hierarchies?